A series of movie film wedge tests, to determine the right exposer when combining the live action with the matte painting from the two interpositive negs
Tuesday, 27 January 2009
Sunday, 25 January 2009
Before I got into animation I did a matte painting for Paul McCartney's feature, Give my regards to Broadstreet. Unfortunately the shot ended up on the cutting room floor and didn't make it into the final film. The camera is a beautifull Bell & Howell registration pin from the early days of cinema. Even though it ran from a motor it still had it's hand cranking handle; I wonder where it is now....